The
new Pagan Altar album has arrived, in style, some twenty years after the
songs were originally recorded. Perhaps it would have come sooner if the
masters had not deteriorated beyond repair. But crucially, the band was
more than willing to return to the studio, rehearse and re-record the
album, from scratch, long after they had split, to ensure these songs
were not lost forever. For that grit and determination, the band must
be praised. They must also be praised for their ability and creativity
because “Lords Of Hypocrisy” is one of the most accomplished
and moving records you will ever lay ears on. The title track opens with
a church organ and gentle singing before giving way to the blistering
lead guitar of Alan Jones, the heavy percussion of Trevor Portch and Mark
Elliott, then ultimately, to the unmistakable voice of Terry Jones. It
is striking that their style is still in tact, yet equally refreshing
and mature. What's more, the lyrics, vocals and music have been delicately
crafted to harmonize the whole listening experience. That sense of order,
bombast and grandeur continues throughout this exceptional album. But
never could it be more evident than on the sweeping “Sentinels Of
Hate” and the damning “Armageddon” which span each and
every colour of the seasons dark, beautiful and in fluid motion. The raw
energy and depth of emotion of “The Masquerade” is guaranteed
to set hearts a flutter, make hair stand on end, or move to tears, much
to the adoration of their fans and the envy of other musicians. Somehow,
as improbable as it may seem, “Volume One” has been eclipsed.
Suffice to say, if you can only purchase one album in ’04, regardless
of my many and varied recommendations, then make it this one because it
has it all.
Pagan Altar: “The
Time Lord” MLP
I Hate Records 2004
Since the official release, some six years ago, of the much bootlegged
debut album Pagan Altar fans, myself included, have been on tender hooks
wondering what would happen next. And at long last, our prayers have been
answered with an utterly captivating MLP. But far from being strictly
new material, “The Time Lord” has been resurrected from the
vaults. Originally billed as a 7” single, it has grown to contain
two previously unreleased songs as well as three earlier versions of songs
that graced the “Volume One” album. Both “Highway Cavalier”
and the lengthier title track are unmistakably Pagan Altar although at
this point in time the band was operating as a quintet. The songs have
more of a distinctly ‘70s flavour, in the music, the vocals and
their combined rhythm, as they had not quite yet settled in their timeless
niche. However, that is no slight on either of them because they are good
bloody songs. It just begs the question how they would have been received
in their day. Moving on, “Judgement Of The Dead”, “The
Black Mass” and “Reincarnation” recall more familiar
territory yet they also capture the band evolving. The differences are
subtle and most enjoyable. But is it possible that these renditions are
even heavier than the ones that we all know so well? Perhaps the appeal
has been further heightened by the crackles of the vinyl. All the same,
this is an invaluable document in the Pagan Altar saga and one of the
most important releases in memory.